In the artlab: Norwood Viviano

May 31 – July 28

Manufacturing Cities

Norwood Viviano’s work is about change. Utilizing digital 3D computer modeling and printing technology in tandem with glass blowing and casting processes, Viviano creates work depicting population shifts tied to the dynamic between industry and community. Manufacturing Cities visually models how populations move and are modified as a result of industry, creating a 3D lens to view that which is invisible or forgotten. Viviano’s use of blown glass forms and vinyl cut drawings are micro-models of macro changes at the regional, national, and international level.

In the artlab: Carolyn Rabbers

Movement Captured: A Screen Dance Series

In tandem with the Body Language exhibition, dance artist Carolyn Pampalone-Rabbers will creatively install multiple screenings of newly developed dance performances and body movements. Rabbers is a member of Wellspring/Cori Terry & Dancers. She graduated from Western Michigan University with a BFA in Dance and has performed for Coldplay, Omi, Royal Caribbean, Celebrity, Poet Theatricals, The Union Project Dance Company, LACDC, Clairobscur, Vox Lumiere’s Phantom of the Opera, Diavolo EdCo, & Nickerson-Rossi Dance Company.

Aftermath: War is Only Half the Story

FREE & OPEN TO THE PUBLIC

This exhibition is sponsored by Parrett Company.

Curated by Sara Terry and Teun van der Heijden, Aftermath: War is Only Half the Story tells the incredibly moving stories of the people left behind after the cameras have moved on from a war zone. Drawing on photographs from over fifty photographers, these personal and often poetic post-war views unveil not only another side to the devastating effects of war, but also tell the stories of people coming together to rebuild and heal. Aftermath: War is Only Half the Story illumines and defines our humanity while giving visibility to those coping with the lingering ramifications of conflict.

The exhibition is a ten-year retrospective of the work of the groundbreaking documentary photography program The Aftermath Project. Founded to help change the way the media covers conflict – and to educate the public about the true cost of war and the real price of peace – The Aftermath Project has discovered some of the most groundbreaking photojournalists in the world – as well as internationally acclaimed photographers Stanley Greene, Nina Berman, Davide Monteleone, Justyna Mielnikiewicz, and Jim Goldberg, among many others – working on post-conflict themes.

The end of war does not mean peace. It is simply the end of war, the end of death and destruction. Every story of war includes a chapter that almost always goes untold – the story of the aftermath, which day by day becomes the prologue of the future.  Sara Terry (Founder of The Aftermath Project)

Aftermath: War Is Only Half the Story originated by The Aftermath Project, Los Angeles, and toured by Curatorial Assistance Traveling Exhibitions, Pasadena, California.

AFTERMATH OPENING PARTY 

FRIDAY, FEBRUARY 8

6 – 8 PM

FREE & OPEN TO THE PUBLIC

Celebrate the opening of this new exhibition in the Krasl Art Center galleries and meet Aftermath: War is Only Half the Story curator, Sara Terry.

The Collective of Benton Harbor will walk guests through a calming breath and yoga sequence throughout the evening, and be able to answer questions on how breath control can aid in your personal journey with conflict.

Small bites from Bistro on the Boulevard and a cash bar available.

PANEL DISCUSSION HOSTED BY AFTERMATH CURATOR, SARA TERRY

SATURDAY, FEBRUARY 9

10 AM – 12 PM

FREE & OPEN TO THE PUBLIC

Save the date!  Join Aftermath: War is Only Half the Story curator, Sara Terry, who will lead an engaging panel discussion with community members on the themes covered in this exhibition. Sara Terry is an award-winning documentary photographer and filmmaker best known for her work covering post-conflict stories. She founded The Aftermath Project in 2003.

PANELIST BIOS

Steven E. Gross is a Professional Photographer whose work has greatly influenced the field of wedding photography due to his photojournalistic style approach. He is also known for his candid editorial, commercial and portrait photography. Steven served in the U.S. Air Force and traveled abroad before studying photography at Columbia College. His photos have been featured in Esquire, The Wall Street Journal, Chicago Magazine and numerous publications nationally & abroad. Gross spent six years on the board at Inspiration Corporation, with four of those years as the board President.  

Kent Laudeman is the former Director of the Robert L. Miller Sr. Veteran’s Center. He is a retired Lieutenant Colonel of the United States Army and the United States Reserves. Kent served in the military for 28 years with deployments to Vietnam, Desert Shield/Desert Storm, Operation Joint Endeavor, and summer training OCONUS (Germany, Netherlands), and Cuban Refugees-Camp McCoy. He has a background in higher education, including student personnel, administrative work, counseling, and teaching at Indiana University South Bend and the United States Military Academy.

John Matuszak is a Staff Writer for the Herald Palladium in Southwest Michigan. John covers a wide range of topics including education, politics, national and regional news. His writing has been featured in U.S. News & World Report, Washington Times, News & Observer, The State, Roanoke Times, The Telegraph (Macon), The Olympian and more.


Sara Terry is an award-winning documentary photographer and filmmaker. She is also the Founder and Artistic Director of The Aftermath Project, a non-profit grant and educational program that supports photographers covering post-conflict stories and disseminates their work. The Aftermath Project develops new conversations in the photojournalism and documentary photography worlds about the importance of aftermath issues. Sara has completed several significant projects and is presently a Guggenheim Fellow in Photography. completing many significant projects. She is the curator of the exhibition Aftermath: War is Only Half the Story and will lead the panel discussion.

COFFEE WITH THE CURATOR: Aftermath: War is Only Half the Story

WEDNESDAY, FEBRUARY 13

12 PM

FREE & OPEN TO THE PUBLIC

Walk through the galleries and learn more about the art on view with KAC Deputy Director, Tami Miller.

In the artlab: Yhelena & Michael Hall

Wilderness and Household: Coping with Comfort

This artlab exhibition explores the evolution of domestic appliances and how they have gradually shaped humans into creatures of comfort. Consisting of sculptural apparatuses connected through the elements and functions of domestic appliances, Yehelena & Michael re-imagine these household object’s place within consumption, preservation, sustainability, and necessity. By altering the functionality of domestic appliances, the tools are turned into metaphors that reflect our dependency on these devices and the desire to break free from their comforting grasp at the same time.

artlab Visiting Artist Talk: Yhelena and Michael Hall

FRIDAY, FEBRUARY 8

5:30 – 6  PM

FREE & OPEN TO THE PUBLIC

Join us as welcome artlab artists Yhelena and Michael Hall to their opening talk before the official gallery opening reception.

2019 Krasl Art Center Member’s Show

THEME: RESILIENCY

December 6 – January 20, 2020

The KAC continues the theme of resiliency into its annual members show. Explore how local and regional artists address this theme through art.


ARTWORKS ACCEPTED: DECEMBER 1-2
OPENING PARTY: FRIDAY, DECEMBER 6
EXHIBITION DATES: DECEMBER 6 – JANUARY 20, 2020


All media accepted.

Inhaling the Universe

JON HOOK & ANDREA PETERSON

August 9 – September 29

The exploration of the natural environment is a central theme within the works of artists Jon Hook and Andrea Peterson. Inhaling the Universe marks an experimental new adventure by the artists and nature alike played out in the KAC galleries. Sculpture, art and installation, stimulated by, and made in collaboration with nature, reflects on the passage of time and lifecycles; it leads viewers on a thoughtful and conscientious walk through a wonder-filled  landscape. 

Seeing nature through an experience of collecting and observing gives voice to the moment. We breathe deeply and find the earth looking back at us. There is more than process and observation – the sight line for meaning looks out to all parts of life on earth. – Jon Hook 

Pete Souza: Two Presidents, One Photographer

Two Presidents, One Photographer showcases 56 of Pete Souza’s photographs of two presidents from opposite ends of the political spectrum. This exhibit includes Souza’s favorite images of Presidents Obama and Reagan, providing us with candid moments that are windows into their humanity. What we see in Souza’s photographs are two Presidents who clearly respected the office they held, and genuinely respected the people they interacted with, no matter the circumstance.

Body Language

April 12 – May 26

How is body language represented, depicted and interpreted? It is readable? Is it natural, affected, subliminal or known? Is it political? Historical? What is it telling us about this contemporary moment? Body Language is an exhibition that explores this form of non-verbal communication through visual representation. It speaks to multiple generations and it is indicative of the postures and posturing we see all around us.

This exhibition sponsored by:

Arte Cubano

Frank Martinez, Blanco y Negro, 2008, mixed media

Building on recent events, this timely exhibition reflects more than twenty-five Cuban artists’ ruminations on the quotidian, social, and political realities of the island and the contemporary world. The island geography and political intensity of Cuba inform the work in a way that is immediately identifiable, often concealing coded, even subversive, ideas while simultaneously celebrating the richness of Cuba’s cultural identity. Peeling away the layers of Cuban art often reveals a story of struggle caused by the US embargo and its economic and political consequences, the social upheaval that a true revolution produces.

Spanning several generations, these contemporary Cuban artists come from an unusual place: a country embargoed by our own because of its socialist revolution. All of the artists in this collection grew up in socialist Cuba, and many graduated from the prestigious Instituto Superior de Arte, built at the beginning of the revolution, Havana’s equally excellent San Alejandro Art Academy or the Escuela Nacional de Arte. Others graduated from local art schools. Despite their disparate backgrounds, aesthetic sensibilities, subject matter, materials, and styles, there is something uniquely Cuban about the art in this collection.

Mid-America Arts Allliance co-organized Arte Cubano with the Center for Cuban Studies (NYC) to synthesize two extraordinary private collections held by Kathy and Marc LeBaron and Karen and Robert Duncan. This exhibition could not have been made possible without their collecting vision and loan generosity. The Center for Cuban Studies opened in 1972 and was organized by a group of scholars, writers, artists, and other professionals, in response to the effects of US policy toward Cuba.

A Program of ExhibitsUSA, a national division of Mid-America Arts Alliance and The National Endowment for the Arts.

Exhibition Sponsor:

PREVIEW PARTY
FRIDAY, NOVEMBER 30
6-8 PM
Join us in celebrating the opening of this new exhibition. Music, small bites and a cash bar will supplement the wonderful art on view to make this a truly unique and enjoyable evening.

COFFEE WITH THE CURATOR
MONDAY, DECEMBER 3
9 AM
Join KAC Deputy Director & Curator, Tami Miller, for an informative tour in the galleries. Learn about the selected artworks, the artists who made them, and how their work informs our understandings of Cuba today.