Allison Svoboda uses the patterns and forms found in nature to create intricate, collages of layered pen and ink paintings that are assembled into large scale installations. Meditative, bold and delicate all at once, her work draws viewers in and holds them captivated.
ARTIST TALK & WORKSHOP
Saturday, November 17
10AM: ARTIST TALK
Free & Open to the Public
Join artist Allison Svoboda in the artlab for an informal talk about the process and inspiration behind her artwork. Enjoy a snack and continued dialogue in the KAC lobby after.
11AM: SUMI-E PAINTING WORKSHOP WITH ALLISON SVOBODA
Free & Open to the Public – Advance Registration Required – Email firstname.lastname@example.org
Learn the meditative practice of traditional Asian ink painting. Sumi-e means path of ink, through different brushstrokes we will learn different ways to control the medium. Allison will teach basic brushstrokes and help those who want to experiment with their own original work. This 2 hour workshop is appropriate for all levels. Japanese ‘washi’ paper, ink and brushes are provided.
David Huffman, Hoop Dreams, 2007, color softground and spitbite aquatint etching; image courtesy of Paulson Fontaine Press, Berkeley, CA
There is no singular way to address the conversation of race and representation in contemporary art. Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press presents fourteen artists who capture the personal narratives and political discourses of African Americans across the country, reflecting a collective experience expressed in uniquely individual ways. This powerful exhibition of figurative and abstract artworks channels the poetics of human experience from past and present, and boldly presents ideas about history, identity, personal story, and spiritual inspiration.
~ Carrie Lederer, Curator ‘s Statement (excerpt)
Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press was organized by Carrie Lederer, Curator of Exhibitions, Bedford Gallery, Lesher Center for the Arts, Walnut Creek, CA.
Louisiana Bendolph (Gee’s Bend Quilter)
Mary Lee Bendolph (Gee’s Bend Quilter)
Loretta Bennett (Gee’s Bend Quilter)
Samuel Levi Jones
Kerry James Marshall
Loretta Pettway (Gee’s Bend Quilter)
The Future is Made out of Cardboard
While the Sculpting Community project is under construction on the KAC grounds this summer, campers will create their own exciting construction project in the artLab gallery. Using cardboard and make-do fasteners, campers will create buildings, structures, and vehicles that benefit communities of the future. Artist Keith Stevens will help campers work collaboratively and individually. Once the camp ends on June 30, visitors to KAC will have the opportunity to add their own futuristic cardboard creation to the collaborative installation.
Summertime in the Galleries! Come & Play
As the Sculpting Community project is underway outdoors, the Krasl Art Center invites guests of all ages and abilities to participate and enjoy a unique, fun, and playful atmosphere that is far from business-as-usual!
Summertime in the Galleries encourages visitors to explore aspects of KAC’s new grounds by participating in collaborative art projects, examining sculpture, and reflecting on themselves and public spaces. KAC’s newly designed grounds will feature a stunning sculpture by world-renowned artist Richard Hunt. Before the sculpture is installed in this Fall, experience its monumental scale and dynamic twists and turns in the galleries via a life-size silhouette. Come investigate and learn about how public sculptures are made and touch sculpture models on display!
Exhibition Sponsor: The John DeVries Insurance Agency
Opening Party: Friday, June 15 – 6:00 pm
Since 1996, the Krasl Art Center has been celebrating art and community with its Biennial Sculpture Invitational. The Biennial places large-scale contemporary sculpture outdoors throughout the cities of St. Joseph and Benton Harbor, Michigan – along the scenic waterfronts and parks, and integrated throughout urban and artist communities. This special exhibtion shows the finest artworks by today’s public artists. It is accessible, engaging and fosters exploration of both fine art and its surroundings.
The 2018 Biennial Sculpture Invitational is supported by civic partnerships with the cities of St. Joseph and Benton Harbor, and cultural collaborations with the New Territory Arts Association and the Box factory for the Arts.
Bill Boyce (Benton Harbor, MI)
Isaac Duncan, III (Chatanooga, TN)
Albert LaVergne (Paw Paw, MI)
THE KRASL COLLECTION JOINS THE BIENNIAL
As the Krasl Art Center grounds are under construction this summer as part of its Sculpting Community project, the KAC permanent collection moves offsite and joins the Biennial Sculpture Invitational in the community. New surroundings for familiar artworks provide fresh contexts, encourage seeing the works anew and celebrates over 35 years of collecting sculpture.
OPENING PARTY: JUNE 15, 6-11 PM
KAC PARTY SITE: TERRITORIAL ROAD AND 5TH STREET IN THE BENTON HARBOR ARTS DISTRICT
The 2018 Biennial Sculpture Invitational Opening Party is part of a multi-city arts and culture celebration. Sharing the night wit the Art Hop in Benton Harbor and the Michiana Annual Art Competition (MAAC) at the Box Factory for the Arts, this is an evening everyone will want to experience. Exceptional artworks by artists near and far will be on view indoors and out. Biennial Sculpture Tours will be travel from the KAC Party Site, throughout the Arts District, to the Box Factory for the Arts and along the waterfronts. Knowledgeable guides will speak about the artworks as passengers sit in the comfort of a passenger bus especially for them.
BIGthink is a Michigan-based artist collaborative and they are the hosts of this year’s opening party. Through sound, light, projection and performance, BIGthink will creatively activate the shipping container and surrounding green space at the corner of Territorial Road and 5th Street. Special thanks goes out to The Prairie Group for making this property available for this dynamic event.
Last summer the FUN SQUAD took the arts district by storm. They are back again for the June 15 ArtHop with new artworks and new antics in the Ghostlight at 123 Hinkley Street. As part of the Biennial and ArtHop celebration, KAC is sponsoring the entertainment for the FUN SQUAD after-party, starting at 9:00 PM.
This exhibition is a tribute to the century-old handmade designs and patterns on textiles that originated in Indonesia and were copied and industrialized by Europeans and exported to Africa. Wandering Spirit: African Wax Prints traces the developmental pathway of the African wax print and tells how these fabrics reflect the stories, dreams, and personalities of the people who wear them.
Batik is a Javanese word that refers to a traditional technique of wax-resist dyeing, in which a pattern is made on both sides of cotton fabric with warm liquid wax applied by a tjanting, a small brass cup with a spout. After the wax cools and solidifies, the cloth is dyed with a primary color and the wax is then removed, revealing the pattern where the wax had once been.
The success of the wax prints in Africa is driven by many factors, such as the culture, taste, and desires of African consumers. Clothing in Africa serves an important means of communication, sending secret messages and retelling local proverbs. Clothing also depicts a person’s social status and position, political convictions, ambition, marital status, ethnicity, age, sex, and group affiliations. The names and stories associated with the fabrics differ from country to country and region to region. One fabric may have different names in different countries, depending on the symbolism that the consumer can read in the fabric.
The history of the African wax print is a history paved along colonial trade routes and globalization in the post- colonial era. Though not originally African, these textiles have become ingrained in African culture and society, and loved and identified as their own.
The exhibition Wandering Spirit: African Wax Prints is curated by Dr. Gifty Benson and organized by ExhibitsUSA/Mid-America Arts Alliance, Kansas City, MO.