Past Exhibits

LINES WITH POWER AND PURPOSE

January 31, 2020 - March 08, 2020

In an age of memes, satire and political polarization, Lines with Power and Purpose: Editorial Cartoons illustrates historical battles amid politics and popular opinion. It represents a bygone era when printed matter was the status quo and cartoonists were part of the newsroom staff. Featuring fifty-one original editorial cartoons from metropolitan newspapers in the United States, the exhibition spans across two world wars and the great depression. It illustrates discontent with the US government, presidential elections, and daily work-related battles with dualistic intentions: to provide welcomed comic relief as well as shape opinion.

Included in this exhibition are six Pulitzer Prize winners for editorial cartooning, among others. The collection has been culled from the Melton Gallery at the University of Central Oklahoma, which has housed the cartoons for more than three decades.

A Program of ExhibitsUSA, a national division of Mid-America Arts Alliance and The National Endowment for the Arts

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IN THE artLAB: ONGOING MATTER

January 31, 2020 - March 08, 2020

Ongoing Matter is a collection of poster designs developed by 11 designers across the United States intended to increase access to, and facilitate engagement with, the Report On the Investigation Into Russian Interference in the 2016 Presidential Election, more colloquially known as The Mueller Report. The exhibition follows a long history of posters as a medium for empowering citizens at crucial, societal, political, and cultural moments in time. As a non-partisan undertaking, an overarching goal of the designers is to help educate and inspire activism, regardless of political ideology affiliation.

Participating Artists
Rafael Barahona
Anne H Berry
Marie Bourgeois
Mikey Burton
Brian Edlefson
Sarah Edmands Martin
Jordan Kauffman
Andre Murnieks
Kelly Walters

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2019 KRASL ART CENTER MEMBERS’ SHOW

December 06, 2019 - January 20, 2020

KAC continues the theme of resiliency into its annual members’ show. Explore how local and regional artists address this theme through art.

Krasl Art Center (KAC) is proud to present the theme of Resiliency for the 2019 Members’ Show from December 6 – January 20. Each year, members are invited to submit one new artwork of their making addressing the current year’s exhibition theme. Continuing with KAC’s current exhibition (on view thru December 1), Resiliency is defined as the process of adapting well in the face of adversity, trauma, tragedy, threats and even stress – such as family and relationship problems, serious health problems, or workplace and financial stresses. This exhibition is underwritten by Chemical Bank.

This continuation of KAC’s current exhibition, Resiliency, was inspired by dialogue between KAC and Spectrum Health Lakeland (SHL). In 2016, SHL completed a Community Health Needs Assessment in which mental health emerged as the most urgent need throughout Berrien County. The same year, KAC committed to inspiring meaningful change and strengthening the community through visual arts as its new mission. Combining KAC’s expertise in art, and SHL’s expertise in wellness, both exhibitions represent the collaborative effort to improve individual lives and community in our area. 

All media, styles, and skillsets are accepted in the 2019 Members’ Show encouraging creativity and community bonding. Collaborative efforts are encouraged and performance pieces will be considered. KAC members are invited to submit their artworks for display December 1, 11 AM – 5 PM, and December 2, 11 AM – 8 PM. The exhibition will be on view December 6, 2019 – January 20, 2020. Artwork will be available for pickup from January 22 – 26 during KAC public hours.

Not a member?  Not a problem. Join the KAC family when you drop off your artwork on December 1 and 2! There is only one size requirement: artworks must be able to fit through KAC’s front doors. All mediums and levels of expertise are welcome. Click here for additional artwork criteria, Information on membership levels, and a discount offer from Waterfront Framing and Fine Art.

“Our members and the surrounding community are extremely important to KAC, and we are thrilled to celebrate them and their collective resiliency with this unique exhibition. We are pleased to offer this opportunity to present member’s artwork that is professionally displayed in KAC’s beautiful galleries,

 – Tami Miller, KAC Deputy Director and Curator.


This activity is supported in part by an award from the Michigan Council for Arts and Cultural Affairs and the National Endowment for the Arts.

Click Here to see all exhibition programming.

CRITERIA:

  • One artwork per artist/artist group.
  • Art must reflect the theme of the exhibition and have been created within the past 2 years.
  • Artworks must be of reasonable size and scale. If we can not fit it through the front door, we can not display it.
  • Art must be display ready. This means, it is easily understood how the artwork is installed and the KAC is not providing special hardware, frames, brackets, etc.
  • Applicants must complete a registration form. Forms will be available during drop off, though early completion is encouraged.
  • All exhibiting artists must be a member of the KAC. Not a member already? Sign up when you bring in your art.

Drop-Off Day: DECEMBER 1, 11 AM – 5 PM AND DECEMBER 2, 11 AM – 8 PM
Opening Party: DECEMBER 6, 5:30 – 8 PM
Artworks Returned: JANUARY 20 – 22

*Waterfront Framing & Fine Art is offering 20% off framing for KAC member’s artwork for this show. Please allow 2 weeks for completion.

RESILIENCY

September 30, 2019 - December 01, 2019

re·sil·ience

  • the capacity to recover quickly from difficulties; toughness.
  • the ability to spring back into shape; elasticity.

Resiliency is an exhibition featuring contemporary art from across the nation that explores, celebrates and practices resiliency. This exhibition was inspired through dialogue between Krasl Art Center and Spectrum Health Lakeland (SHL). In 2016, the latter completed a Community Health Needs Assessment in which mental health emerged as the most urgent need throughout Berrien County. The same year, KAC committed to inspiring meaningful change and strengthening the community through visual arts as its new mission. Combining KAC’s expertise in art, and SHL’s expertise in wellness, Resiliency is a collaborative effort to improve individual lives and community in our area.  Using the visual arts as a platform, this exhibition provides applicable tools for guests to craft their own resilient practices and gain empathy for others.

Resiliency Artists

Rachel Corbin, Drawing & Mixed Media, Nashville, TN

Alli Farkas, Painting, Dowagiac, MI

Christina E. Fontenelle, Visual Art & Dance, Chicago, IL

Sergio Gomez, Painting, Chicago, IL

John Gutoskey, Printmaking, Ann Arbor, MI

Ginnie Hsu, Illustration, Upstate New York

Olivia Hunter, Photography, New York

the monarq, Painting, Seattle,WA

Martina Nehrling, Painting, Chicago, IL

Gallery Guide

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INHALING THE UNIVERSE

August 09, 2019 - September 29, 2019

JON HOOK & ANDREA PETERSON

Seeing nature through an experience of collecting and observing gives voice to the moment. We breathe deeply and find the earth looking back at us. There is more than process and observation – the sight line for meaning looks out to all parts of life on earth. – Jon Hook 

The exploration of the natural environment is a central theme within the works of artists Jon Hook and Andrea Peterson. Inhaling the Universe marks an experimental new adventure by the artists and nature alike played out in the KAC galleries. Sculpture, art and installation, stimulated by, and made in collaboration with nature, reflects on the passage of time and lifecycles; it leads viewers on a thoughtful and conscientious walk through a wonder-filled  landscape. 

Hook’s wood-fired ceramics use an intense and industrious process that emphasizes the use of local materials for firing as well as glaze making. He reduces local plants such as hay, cattails, thistle, and clay to their molecular essence, which is then used to create unique glazes. He is a forerunner and expert in his field, specifically concerning sustainable and regenerative firing and ceramic studio processes. Hook has received two consecutive Indiana State grants that aided his research of an oil drip burner system to assist the wood-fired kiln on their farm. Hook’s dedication to eco-mutualism in the environment has evolved to center on regional identity. His work creates a sense of place through the use of indigenous patterns of relationships with his community and the natural materials of he and Petersons’ home.

Peterson’s work explores all types of paper fibers and processes including paper works, prints, artist books, and environmental installation pieces. She combines paper arts, printmaking and book arts to make works that address human relationship to the environment. Peterson received her BFA at School of the Art Institute of Chicago and her MFA in printmaking from University of Minnesota in Minneapolis. She has lectured and taught extensively, including at Ox-Bow, School of the Art Institute of Chicago, Sciola de Graphica, Venice, Italy, Paper Museum Steyermeuhl, Austria, Syracuse University and Indiana University. She currently teaches in the Fiber and Material Studies Department at The School of the Art Institute of Chicago.

I invite the place that I live to encompass me, wholeheartedly. It is a workplace for my development as an artist and critical thinker of the world we live in, especially the place we all call home. The environment and its workings are ever-present in my work. I look at the world around me symbolically and present it as such in the work that I create. I observe connections between the plant, animal and human world that present concerns, desires and realities for many of us to consider or experience. – Andrea Peterson

See all the events for this exhibition.

IN THE artLAB: CASEY ROBERTS

August 09, 2019 - September 29, 2019

My work is synonymous with a fairytale; the paintings are dark, yet humorous. Animals play a leading role and the work blends together to form a narrative. There’s a moral of the story, one that hints at humans’ relationship with nature with a knowing wink. There is an intuitive wisdom in nature.                                                                                      ~ Casey Roberts


PETE SOUZA: TWO PRESIDENTS, ONE PHOTOGRAPHER

May 31, 2019 - July 28, 2019

Two Presidents, One Photographer showcases 56 of Pete Souza’s photographs of two presidents from opposite ends of the political spectrum. This exhibit includes Souza’s favorite images of Presidents Obama and Reagan, providing us with candid moments that are windows into their humanity. What we see in Souza’s photographs are two Presidents who clearly respected the office they held, and genuinely respected the people they interacted with, no matter the circumstance.

White House photographs by Pete Souza. This exhibition was organized by art2art Circulating Exhibitions.

Welcome the exhibit to Krasl Art Center at the opening party!

IN THE artLAB: NORWOOD VIVIANO

May 31, 2019 - July 28, 2019

Manufacturing Cities

Norwood Viviano’s work is about change. Utilizing digital 3D computer modeling and printing technology in tandem with glass blowing and casting processes, Viviano creates work depicting population shifts tied to the dynamic between industry and community. Manufacturing Cities visually models how populations move and are modified as a result of industry, creating a 3D lens to view that which is invisible or forgotten. Viviano’s use of blown glass forms and vinyl cut drawings are micro-models of macro changes at the regional, national, and international level.

BODY LANGUAGE

April 12, 2019 - May 26, 2019

How is body language represented, depicted and interpreted? It is readable? Is it natural, affected, subliminal or known? Is it political? Historical? What is it telling us about this contemporary moment? Body Language is an exhibition that explores this form of non-verbal communication through visual representation. It speaks to multiple generations and it is indicative of the postures and posturing we see all around us.

This exhibition sponsored by:

IN THE artLAB: CAROLYN PAMPALONE RABBERS

April 12, 2019 - May 26, 2019

Movement Captured: A Screen Dance Series

In tandem with the Body Language exhibition, dance artist Carolyn Pampalone-Rabbers will creatively install multiple screenings of newly developed dance performances and body movements. Rabbers is a member of Wellspring/Cori Terry & Dancers. She graduated from Western Michigan University with a BFA in Dance and has performed for Coldplay, Omi, Royal Caribbean, Celebrity, Poet Theatricals, The Union Project Dance Company, LACDC, Clairobscur, Vox Lumiere’s Phantom of the Opera, Diavolo EdCo, & Nickerson-Rossi Dance Company.

IN THE artLAB: YHELENA & MICHAEL HALL

February 08, 2019 - April 08, 2019

Wilderness and Household: Coping with Comfort

This artlab exhibition explored the evolution of domestic appliances and how they have gradually shaped humans into creatures of comfort. Consisting of sculptural apparatuses connected through the elements and functions of domestic appliances, Yehelena & Michael re-imagined these household object’s place within consumption, preservation, sustainability, and necessity. By altering the functionality of domestic appliances, the tools are turned into metaphors that reflect our dependency on these devices and the desire to break free from their comforting grasp at the same time.

artlab Visiting Artist Talk: Yhelena and Michael Hall – FRIDAY, FEBRUARY 8, 2019

OPENING NIGHT PARTY – FRIDAY, FEBRUARY 8, 2019

AFTERMATH: WAR IS ONLY HALF THE STORY

February 08, 2019 - April 07, 2019

FREE & OPEN TO THE PUBLIC

Curated by Sara Terry and Teun van der Heijden, Aftermath: War is Only Half the Story tells the incredibly moving stories of the people left behind after the cameras have moved on from a war zone. Drawing on photographs from over fifty photographers, these personal and often poetic post-war views unveil not only another side to the devastating effects of war, but also tell the stories of people coming together to rebuild and heal. Aftermath: War is Only Half the Story illumines and defines our humanity while giving visibility to those coping with the lingering ramifications of conflict.

The exhibition is a ten-year retrospective of the work of the groundbreaking documentary photography program The Aftermath Project. Founded to help change the way the media covers conflict – and to educate the public about the true cost of war and the real price of peace – The Aftermath Project has discovered some of the most groundbreaking photojournalists in the world – as well as internationally acclaimed photographers Stanley Greene, Nina Berman, Davide Monteleone, Justyna Mielnikiewicz, and Jim Goldberg, among many others – working on post-conflict themes.

The end of war does not mean peace. It is simply the end of war, the end of death and destruction. Every story of war includes a chapter that almost always goes untold – the story of the aftermath, which day by day becomes the prologue of the future.  – Sara Terry (Founder of The Aftermath Project)

Aftermath: War Is Only Half the Story originated by The Aftermath Project, Los Angeles, and toured by Curatorial Assistance Traveling Exhibitions, Pasadena, California.

Exhibition Sponsor: Parrett Company.

AFTERMATH OPENING PARTY  – FRIDAY, FEBRUARY 8, 2019

PANEL DISCUSSION HOSTED BY AFTERMATH CURATOR, SARA TERRY – SATURDAY, FEBRUARY 9, 2019

COFFEE WITH THE CURATOR: Aftermath: War is Only Half the Story – WEDNESDAY, FEBRUARY 20, 2019

IN THE artLAB: ALLISON SVOBODA – EXTENDED

September 01, 2018 - February 03, 2019

Mandala, Allison Svoboda, 2012.

In this extended exhibition, Allison Svoboda’s ethereal collaged paper mandalas remained on view through February 3, 2019. Svoboda uses ink paintings and fine papers to build delicately layered flower-like shapes that float off the gallery walls.

ARTE CUBANO

November 30, 2018 - February 03, 2019

Frank Martinez, Blanco y Negro, 2008, mixed media

This exhibition reflected more than twenty-five Cuban artists’ ruminations on the quotidian, social, and political realities of the island and the contemporary world. The island geography and political intensity of Cuba inform the work in a way that is immediately identifiable, often concealing coded, even subversive, ideas while simultaneously celebrating the richness of Cuba’s cultural identity. Peeling away the layers of Cuban art often reveals a story of struggle caused by the US embargo and its economic and political consequences, the social upheaval that a true revolution produces.

Spanning several generations, these contemporary Cuban artists come from an unusual place: a country embargoed by our own because of its socialist revolution. All of the artists in this collection grew up in socialist Cuba, and many graduated from the prestigious Instituto Superior de Arte, built at the beginning of the revolution, Havana’s equally excellent San Alejandro Art Academy or the Escuela Nacional de Arte. Others graduated from local art schools. Despite their disparate backgrounds, aesthetic sensibilities, subject matter, materials, and styles, there is something uniquely Cuban about the art in this collection.

Mid-America Arts Alliance co-organized Arte Cubano with the Center for Cuban Studies (NYC) to synthesize two extraordinary private collections held by Kathy and Marc LeBaron and Karen and Robert Duncan. This exhibition could not have been made possible without their collecting vision and loan generosity. The Center for Cuban Studies opened in 1972 and was organized by a group of scholars, writers, artists, and other professionals, in response to the effects of US policy toward Cuba.

A Program of ExhibitsUSA, a national division of Mid-America Arts Alliance and The National Endowment for the Arts.

Exhibition Sponsor:

OPENING PARTY – FRIDAY, NOVEMBER 30, 2018

COFFEE WITH THE CURATOR – MONDAY, DECEMBER 3, 2018

PERSONAL TO POLITICAL: CELEBRATING THE AFRICAN AMERICAN ARTISTS OF PAULSON FONTAINE PRESS

September 01, 2018 - November 25, 2018

David Huffman, Hoop Dreams, 2007, color softground and spitbite aquatint etching; image courtesy of Paulson Fontaine Press, Berkeley, CA

There is no singular way to address the conversation of race and representation in contemporary art. Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press presented fourteen artists who capture the personal narratives and political discourses of African Americans across the country, reflecting a collective experience expressed in uniquely individual ways. This powerful exhibition of figurative and abstract artworks channeled the poetics of human experience from past and present, and boldly presented ideas about history, identity, personal story, and spiritual inspiration.

~ Carrie Lederer, Curator ‘s Statement (excerpt)

Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press was organized by Carrie Lederer, Curator of Exhibitions, Bedford Gallery, Lesher Center for the Arts, Walnut Creek, CA.

PARTICIPATING ARTISTS

Edgar Arceneaux
Radcliffe Bailey
Louisiana Bendolph (Gee’s Bend Quilter)
Mary Lee Bendolph  (Gee’s Bend Quilter)
Loretta Bennett  (Gee’s Bend Quilter)
McArthur Binion
Lonnie Holley
David Huffman
Samuel Levi Jones
Kerry James Marshall
Loretta Pettway  (Gee’s Bend Quilter)
Martin Puryear
Gary Simmons
Lava Thomas

2018 BIENNIAL SCULPTURE INVITATIONAL

June 01, 2018 - September 01, 2018

Since 1996, Krasl Art Center has been celebrating art and community with its Biennial Sculpture Invitational. The Biennial places large-scale contemporary sculpture outdoors throughout the cities of St. Joseph and Benton Harbor, Michigan – along the scenic waterfronts and parks, and integrated throughout urban and artist communities. This special exhibition shows the finest artworks by today’s public artists. It is accessible, engaging and fosters exploration of both fine art and its surroundings.

The 2018 Biennial Sculpture Invitational is supported by civic partnerships with the cities of St. Joseph and Benton Harbor, and cultural collaborations with the New Territory Arts Association and the Box Factory for the Arts.

INVITED ARTISTS:
BIGthink (Michigan)
Bill Boyce (Benton Harbor, MI)
Isaac Duncan, III (Chatanooga, TN)
Albert LaVergne (Paw Paw, MI)

KRASL’S COLLECTION JOINS THE BIENNIAL
As Krasl Art Center’s grounds are under construction this summer as part of its Sculpting Community project, the KAC permanent collection moves offsite and joins the Biennial Sculpture Invitational in the community. New surroundings for familiar artworks provide fresh contexts, encourage seeing the works anew, and celebrates over 35 years of collecting sculpture.

SUMMERTIME IN THE GALLERIES!

June 22, 2018 - August 26, 2018

As the Sculpting Community project was underway outdoors, Krasl Art Center invited guests of all ages and abilities to participate and enjoy a unique, fun, and playful atmosphere that was far from business-as-usual!

Summertime in the Galleries encouraged visitors to explore aspects of KAC’s new grounds by participating in collaborative art projects, examining sculpture, and reflecting on themselves and public spaces. KAC’s newly designed grounds feature the stunning sculpture Rising Crossing Tides by world-renowned artist Richard Hunt. Before the sculpture was installed in the Fall of 2018, guests experienced its monumental scale and dynamic twists and turns in the galleries via a life-size silhouette. Guests were able to investigate and learn about how public sculptures are made and touch sculpture models on display!

Underwritten by The John DeVries Insurance Agency.

IN THE artLAB: THE FUTURE IS MADE OUT OF CARDBOARD

June 22, 2018 - August 26, 2018

While the Sculpting Community project was under construction on KAC’S grounds in summer 2018, KAC campers created their own exciting construction project in the artlab gallery. Using cardboard and make-do fasteners, campers created buildings, structures, and vehicles that benefit communities of the future. KAC Teaching Artist  Keith Stevens helped campers work collaboratively and individually. Once the camp ended on June 30, visitors to KAC had the opportunity to add their own futuristic cardboard creation to the collaborative installation.

WANDERING SPIRIT: AFRICAN WAX PRINTS

March 23, 2018 - June 17, 2018

This exhibition was a tribute to the century-old handmade designs and patterns on textiles that originated in Indonesia and were copied and industrialized by Europeans and exported to Africa. Wandering Spirit: African Wax Prints traced the developmental pathway of the African wax print and told how these fabrics reflect the stories, dreams, and personalities of the people who wore them.

Batik is a Japanese word that refers to a traditional technique of wax-resist dyeing, in which a pattern is made on both sides of cotton fabric with warm liquid wax applied by a tjanting, a small brass cup with a spout. After the wax cools and solidifies, the cloth is dyed with a primary color and the wax is then removed, revealing the pattern where the wax had once been.

The success of the wax prints in Africa is driven by many factors, such as the culture, taste, and desires of African consumers. Clothing in Africa serves an important means of communication, sending secret messages and retelling local proverbs. Clothing also depicts a person’s social status and position, political convictions, ambition, marital status, ethnicity, age, sex, and group affiliations. The names and stories associated with the fabrics differ from country to country and region to region. One fabric may have different names in different countries, depending on the symbolism that the consumer can read in the fabric.

The history of the African wax print is a history paved along colonial trade routes and globalization in the post-colonial era. Though not originally African, these textiles have become ingrained in African culture and society, and loved and identified as their own.

The exhibition Wandering Spirit: African Wax Prints was curated by Dr. Gifty Benson and organized by ExhibitsUSA/Mid-America Arts Alliance, Kansas City, MO.